Design
Seattle’s new library
43 Folders Meetup in SF
Rappacini, Philip K. Dick, Origami, and the Zen of the unnatural natural
Making some progress with JavaScript menus
As I posted earlier, I’m undertaking to better understand the basics of the DOM, Javascript, and DHTML on my pilgrimage to being Ajax competent. I’m using Ajax in Action as my guide.
Recently at work, we had need of a basic ‘dashboard’. It’s a pretty simple design: boxes on the left with one level of drop down for menus, a big, central ‘content’ section in the middle.
I was thinking of how I wanted to implement this.
- It needed to be flexible (i.e. layout should be described in an XML file)
- It needed to be updatable without touching the JavaScript (to get a feel for the Ajax design)
- It needed to be somewhat visually appealing.
The goal was to use Javascript to create a 100% DOM rendered page that worked in IE and Firefox.
Here’s how I did it after the jump….
iRead iWoz
Gross Bathroom-related stuff, majorly not safe for lunch-time reading
In the following post I discuss potty topics. Consider yourself warned.
Comfortable shoes for hackers
Steven: An Advertiser’s Best Friend
BREAKING: Good coffee place in North Austin: Sodade Coffee
"Helvetica" the movie
Article from NPR; funny title, Firefox
I Won the Podio API Release Hackathon Competition
Typewriter History
I love typewriters. They’re amazing machines. They do something amazing (put letters together) in a consistent way (great for people with poor handwriting) and they’re shockingly simple to reason about. Make no doubt, typewriter repair technicians are a gifted sort of artisan that has been slowly disappearing from the world, but the idea that “it’s a piano, but for the alphabet” has a simple resonance that is oddly seductive.
Here’s my Underwood:
My Introduction to Typewriters
Previously: In Memoriam Harold Harms
I suppose it all started early for me when my paternal grandfather gave me an Underwood that, I believe, my grandmother had found at a yardsale. My grandmother loved to visit garage- or yard-sales. I suppose she was always looking for a bargain, but I think she also had an anthropological interest in the effluvia on card tables: Who are these people, anyway? At any rate, sometime around 1983 I was given the Underwood and I clacked and banged on it as a toy for many years. Somewhere in history it was lost and, during the peak of the eBay era, I bought a replacement for it that I still have. I plan on taking it to a repair shop here in Manhattan now that the shop seems to be open again post-pandemic quarantine.
In any case, both the lost Underwood and my current Underwood are clunky, heavy devices.
But, like their musical cousins, typewriters were for most of their existence, effectively furniture, resident on desks or in offices. As early at 1892, patents were being issued for a portable typewriter models. Throughout the wars and the rise of the industrial age, multiple other “portable” typewriters came into existence, but they were still on the heavy end. I suppose I was thinking about how “a lighter, more fun, fashionable” typewriter might have been a time-period fellow-traveler for the “lighter, more versatile, solo woman wield-able” cameras (e.g. Leicas) that I saw in the “New Woman Behind the Camera” show.
Olivetti famously created a typewriter that was both light and fashion in 1969 when they shipped their gorgeous Valentine designed by Ettore Sotsass and Perry King. I love this device (as I’ve said before), and I did some examination of its presence in pop culture and how it tried to express a different idea of the relationship we could have with the device.
Nostalgia for Aqua
In 2001, my first Mac, the iMac, embodied computing as furniture. Its translucent white half-dome base housed a DVD drive that melded seamlessly into the surface, like some protean sci-fi spaceship.
From the dome’s apex rose a silver articulating arm suspending the screen - substantial enough to grab and adjust. You could pivot it down during afternoon slumps or angle it to show a friend iTunes visualizations. Light enough to carry, it could migrate to the living room to DJ parties. Encountered in le boudoir, it suggested taste, restraint, and an acceptable level of geekery in a way that wouldn’t make a guest think about doing a 180. Add on a slim, clicky keyboard; a one-button mouse; and surprisingly punchy spherical speakers and you had a computer that could be, as CEO Steve Jobs vision-cast, the hub of your digital life.
Heck, I started this blog on that machine.
This was computing’s last public era, before it retreated into the private universes of our misnamed “phones.” While this openness lived in the hardware’s noteworthy physical design, it was equally present in OSX’s Aqua interface. Recently, I’ve noticed a lot of nostalgia for Aqua’s aesthetics. I think these various nostalgia projects:
- a bag
- historical research
- a recreation of the Aqua UI as open source project
suggest a lament in our hearts:
Computers (phones) today make my heart sad. I want to remember computing when it didn’t make my heart sad. I want to see computers like that again.