Archive for April, 2008

Cinematic Poison: The Brothers Grimm

Tuesday, April 29th, 2008

I am a completionist fetishist. I read all of Atlas Shrugged, I read the entire “Ender’s Game” series, and I stuck with the Vampire Chronicles through Memnoch, but I simply could not complete twisted animator Terry Gilliam’s pile of eye-pain known as “The Brothers Grimm”.

Perhaps most shockingly for a Terry Gilliam movie, it was entirely derivative. The steampunk machinery and effects? Seen it in “Sleepy Hollow”. What about the brighter than life set and costuming? Seen it, “Big Fish”. Assembly of hot, as-yet-unsee-by-American-eyes European actresses, well no one tops Terry in that.

Please, stay away.

The SoCo draw and la gasolina

Monday, April 28th, 2008

Friday afternoon I made a visit to my alma mater to participate in a symposium in concert with the School of Business on the status of their MIS curriculum.

First, let me say that I was very impressed with my graduating program’s status. While most MIS programs in this nation are flat to down, UT’s is sharply up. It’s definitely thanks to some hard work by the faculty and administration there. It’s also an effect of the hard work of research staff who now are gladly working with incoming business school students to establish the passion for seeing IT as a business value proposition, versus a mere cost center.

After said event, my girl came to meet me downtown and I thought that it would be a great night to have a proper “date calibre” dinner out. We headed over to Vespaio on South Congress. Vespaio is the grand dame on the S. Congress strip with respect to “fine dining” and we had, as yet, not eaten there since we visited.

The food was quite good: I had a cioppino while my shellfish-allergic girlfriend had a creamy pasta with chicken. This plus two glasses of wine and I would say that the meal was a success. I don’t think it would be too improper to say that the meal for two was over 100 dollars but less than 150, all told.

But…then I realized that meal was a 2 tanks of gas for a great many people.

Bus. Pass.

Some people, when reviewing for Latin finals pull out a legal pad and a few sharp pencils and then happily go about their day.

Others write a LaTeX guide to:

And post them on the internet…

I mean, GOSH, how anyone study without these charts being beautifully typeset via LaTeX? Lauren remarked that she didn’t know my Latin class had a LaTeX-formatting component.

Eep.

Victim of Keming

Sunday, April 27th, 2008

Several weeks ago I was visiting “Ironic Sans” and noticed David, the proprietor had written this comment about a kerning error:

Keming Insert

I thought it was a hilarious observation and went so far to buy the t-shirt.

And thus was my relation with keming. Then, the other day, while on a call with some service operator or another I was, in the custom of such operators, over-politely subjected to my surname being repeatedly mangled as I was called “Mr. Hams”.

It then struck me, that it was not the general deplorable state of American education, it might have been the typeface that was to blame, for you see, the poor operator may have been the victim of a tiny serifed font turning my familial name from a descendant of Hermann into a titan of hog rumps. In short, I believe my last name may have been kemed.

That is:

Harms

versus:

Harms

The Plot Involves the Tarot Card

Wednesday, April 16th, 2008

One of the hoariest tropes in horror and suspense tales is when the Dana Scully-type man of reason finds himself, inexplicably, having a Tarot reading session for either himself or the dead. The (usually sensual-) card reader flips the final card and it’s old number XIII, Death, La Mort.

The audience reels back in horror and stares at the cranial portrait lain upon the tableau. Tarot card 13: Death

But we should be mindful that Death in the Tarot is not catastrophic ( The Tower is that one ), rather it’s the natural mowing under, the breaking apart of that which was before, in short it is the power which breaks the old so that the new can come. It’s the death in autumn, so that the stalks may be plowed under, it’s the death of primitive or childish ideas so that new ones may come.

Anatole France:

Tous les changements, même les plus souhaités ont leur mélancolie, car ce que nous quittons, c’est une partie de nous-mêmes; il faut mourir à une vie pour entrer dans une autre.

All changes, even the most longed for, have their melancholy; for what we leave behind us is a part of ourselves; we must die to one life before we can enter another

From Le Crime de Sylvestre Bonnard

“Pamela will be an artistically rich and visually stunning series,” executive producer Randy Barbato said in a statement. “The series will offer an unprecedented look inside the life of one of today’s most iconic superstars in the style of a uniquely shot documentary film.”

While the series, as announced, promises to let viewers meet “the real woman behind the famous breasts,” it will draw a big line, and will not feature her and ex-husband Tommy Lee’s two children.

When you work in the UNIX / CLI-environment a simple fact of your work environment is that you simply must have a high-powered text editor to edit configuration files, write code, or write email in a non-GUI mail tool. You have your choice of consumer-targeted editors (=pico=), but the two that battle for the power user demographic are vi and emacs.

I’m conversant in both and have even written an encomium to the power of emacs on this very site. But I should like to dwell on an interesting aspect of the vi/emacs approaches to doing things.

I had occasion to reflect on vi/emacs as writing tools when I was giving my exceedingly patient girlfriend a bit of a demo of how to use vi ( being knee-deep in drupal, it is something she’s considering needing to know more about ).

Teaching the Command Mode / Insert Mode Bifurcation

My first topic was the difference in modalities in vim. This was something that I thought would be particularly hard to communicate. Given a world where most grow up with the WYSIWYG experience of textual editing ( MS Word, chiefly ) people are used to combining three activities which need not necessarily be defined within the same context. Here’s how I believe the Unix modality considers the activity of producing a “fine document”, as opposed to the default “type, edit, and print it from Word” assumption.

  1. Writing:
  2. Editing
  3. Layout

Writing

Writing is: typing in a serial fashion, verging on ‘stream of consciousness’. When the “flow” ends, change modes. Vi notes this “shift” in gear by a stroke of the escape key, that is changing modes from insert to command. Emacs does not observe this modality change.

Editing

Editing is fixing typographical errors, re-arranging text, reading, cutting, pasting, doing formatting changes, and iterative edits. By in large one is not “writing” here - one is clarifying and largely reading. Where one sees the opportunity for an edit it is, generally, small ( replace ‘r’ with ‘R’ )

Layout

Layout in the Unix mentality is done by LaTeX. That is, after writing text, one edits the content and wraps the content in LaTeX markup. Having done this, one processes the content through a LaTeX editor and then can view the typeset materials.

Nota Bene: Neither vi nor emacs are in the business of layout. When writing in a text editor you are free to think about writing or editing but do not have to worry about, are explicitly prevented from, thinking about layout. It’s writer’s bliss to focus on expression, not bold.

Non-Unix Workflow: Word

Now let’s proceed from Word. Word starts with conflated editing, writing, and layout. My girlfriend, a professional writer, immediately needed no convincing on the wisdom of ditching the layout to focus on the content. Her process is very ‘layout comes later’ intensive. Our conversation then turned to the difference in should editing and writing be conjoined (emacs) or should they have a modal difference. This is a philosophical difference between the two ne’er the twain shall meet.

Most people coming from Word are conditioned to anticipating the instantaneous response that emacs gives. While the commands might be a bit different (Control-b for “move cursor left”), and the mouse absent, the idea is not a departure from the generally conditioned experience.

But the modality shift between the command and insert modes of vi - that presented a bit of a conceptual hurdle. Not to be misunderstood, my lady fair most certainly understood the value of separating the activities, and certainly understood that ‘i’ or ‘a’ could be used to enter insert mode and escape was used to exit it, but she had the concern that her work-flow would be interrupted.

She also suggested that the multiplier+command core feature of vi - something which I use to great effect - seemed to require an amount of ‘pre-thought’ before the editing.

She’s absolutely right. You see, vi was written by Bill Joy on a slow connection. While he waited for his 300 baud command to be received and worked upon he could look at the screen and say: “Hm, I need to go three sentences ahead and delete 3 words, and then go to the end of the paragraph and insert a period”. This translates to

  1. 3)
  2. 3dw
  3. }
  4. A.

MIT had much speedier connections and thus Emacs was written from the instantaneous response perspective.

In some ways I think vi is like Kendo or Latin. You have to churn the mental gears before you act, but when you do act, you act decisively, cleanly, with a minimal amount of effort; but great power, and great conciseness.

Emacs is more like an interpretive dance: I go this way, I go that way, I change this, no I change that, etc.

I’m not sure if I have convinced her one way or the other.

Which is better

In many ways I feel like vi is the winner for writing text and email. It’s fast, light, and encourages more prethought, more editing, and more post-thought. A great many email writers (and bloggers…) would benefit from that. Somehow the mode change seems to engender a more reflective attitude to writing, and this is a very fine thing indeed.

But what about code?

Hm, it’s tough. I want to say emacs is because code is not like writing and then editing, it’s a much more “oh crap i forgot a ;” or “where’s the closing brace”. There’s less forethought, and more experimentation. If what I say above be true, then emacs should win hands down.

…but….

The keystrokes from emacs and holding their configuration wears on my fingers: Stroke after stroke of the Control+letter commands makes my carpals act up. And, on the other hand, perhaps a bit more thinking before typing the code is warranted: the moment to reflect on whether a pattern might be appropriate, a second to consider where iteration is called for and building the abstract iterator before passing the commands.

So for code, I think I’ll have to call it a draw.

But I especially love ‘vi’ for editing. The enfolding blackness of the command line and the hollow green of the text says “low fi” which is exactly why I find it so easy to do creative writing in vi versus any other editor.

That said, most of the time on my Mac I tend to use Textmate which is, essentially, a much better emacs minus the emacs religion + some of the power of a flexible IDE.

Frankenscience or Fad or Delicious?

Tuesday, April 8th, 2008

All in one coffee-maker:  Too much Packaging

During SXSW my house-guest, wired up on too much of the highest points of the Web 2.0 society and jet-lag, graciously headed over to Wal-Mart to buy some basics as his luggage had gotten misplaced by American Airlines; one’s pickings are slim, mind you, at 3 in the morning.

Part of the booty that was left behind by said guest was an exemplar of the all in one coffee-making cup. Being a daring sort, I drank it upon his departure.

The first element to note is that this thing is heavy: comaprable to a Slim Fast can in density. You might be needing a trip to the ER were this thing to fall an your foot.

Speaking of slim fast, the preserved coffee herein tastes reminiscent of the “low fat shake” icon.

The real magic ( or science ) of the device is that by puncturing some liquid bladder on the bottom ( I can feel your desire growing here ) you begin an exothermic chemical reaction that warms your slim-fast coffee right up. I admit it, I drank it, and it was about as good as the stuff in my office break-room.

But what really struck me is that the thing was still tarsal-damagingly heavy after consumption of the liquid payload. I have checked out their site which re-assures me that our reaction only produces natural bi-products [sic].

I just hope everyone drinking these is putting them in the recycling bins.

I found a dissection of a out-of-date can can as well.

The polyamory room at the Austin Convention Center.

See, I told you this town keeps it weird.

It actually means elevator, apparently.

And now, to the Aerosmith.

Bliss Looks Like…

Tuesday, April 8th, 2008

Happy Elephant

elephantus parvus iucundusque recreas in aequa